Related Paintings of unknow artist :. | Fishermen by the Banks of the Loire | Arab or Arabic people and life. Orientalism oil paintings 570 | Realistic Pink Rose | The Teamster | Floral, beautiful classical still life of flowers.086 |
Related Artists:
Albert Lebourg
Montfort-sur-Risle 1849-Rouen 1928 French painter. He had an early interest in architecture and studied under the architect Drouin at the Ecole Municipale de Dessin in Rouen. He became increasingly interested in art and through Drouin met the landscape painter Victor Delamarre (1811-68) who advised and taught him. Giving up architecture altogether, he then attended the Ecole Municipale de Peinture et de Dessin in Rouen under Gustave Morin (1809-86). In 1871 he met the collector Laperlier through whom he obtained the post of professor of drawing at the Societe des Beaux-Arts in Algiers. He remained there from 1872 to 1877, producing works such as Street in Algiers (1875; Rouen, Mus. B.-A.). He also experimented with depicting a single site in a variety of different lights, in a manner similar to the late works of Monet. After giving up his teaching post in Algeria in 1877 he returned to Paris where he attended Jean-Paul Laurens's studio from 1878 to 1880. It was at this point that he became aware of Impressionism; later he became friendly with Degas, Monet and Sisley. He first exhibited at the Salon de la Societe des Artistes Franeais in 1883 and again in 1886,
Bonnard, Pierre
French, 1867-1947 French painter and printmaker. He studied at the Academie Julian and the École des Beaux-Arts (1888 C 89). In the 1890s he became a leading member of the Nabis group and came under the influence of Art Nouveau and Japanese prints. With his friend Édouard Vuillard, he developed the intimate domestic interior scene, a genre known as Intimism, depicting fashionable Parisian life in the years before World War I. He also produced still lifes, self-portraits, seascapes, and large-scale decorative paintings. In 1910 he discovered the south of France and began a series of luminous landscapes of the Mediterranean region. He was fascinated by perspective, which he employed in paintings such as The Dining Room (1913). From the 1920s he specialized in landscapes, interiors, views of gardens, and bathing nudes. He produced illustrations for the celebrated journal Revue blanche and decorative pages for Paul Verlaine's book of poetry Parallelement (1900).
John Frederick Herring
British 1795-1865 was a painter, sign maker and coachman in Victorian England.John F. Herring, Sr. is the painter of the 1848 "Pharoah's Chariot Horses" (archaic spelling "Pharoah"). He amended his signature "SR" (senior) in 1836, with the growing fame of his teenage son John Frederick Herring, Jr.Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, England, where his greatest interests were drawing and horses.In the year 1814, at the age of 18, he moved to Doncaster in the north of England, arriving in time to witness the Duke of Hamilton's "William" win the St. Leger Stakes horserace. By 1815, Herring had married Ann Harris; his sons John Frederick Herring, Jr., Charles Herring, and Benjamin Herring were all to become artists, while his two daughters, Ann and Emma, both married painters. In Doncaster, England, Herring was employed as a painter of inn signs and coach insignia on the sides of coaches,and his later contact with a firm owned by a Mr. Wood led to Herring's subsequent employment as a night coach driver. Herring spent his spare time painting portraits of horses for inn parlors, and he became known as the "artist coachman" (at the time).Herring's talent was recognized by wealthy customers, and he began painting hunters and racehorses for the gentry. In 1830, John Frederick Herring, Senior left Doncaster for Newmarket, England, where he spent three years before moving to London, England. During this time, Herring might have received tuition from Abraham Cooper. In London, Herring experienced financial difficulties and was given financial assistance by W. T. Copeland, who commissioned many paintings, including some designs used for the Copeland Spode bone china. In 1840-1841, Herring visited Paris, painting several pictures, on the invitation of the Duc d'Orleans.